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KMFDM
Photo: Whalen647 · CC BY-SA 3.0

Band · Germany

KMFDM

Formed in 1984

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Upcoming shows

  • Hamburg, Germany · Markthalle Tickets
  • Oberhausen, Germany · Kulttempel Tickets
  • Köln, Germany · Essigfabrik Tickets
  • Paris, France · Petit Bain Tickets
  • Lausanne, Switzerland · Les DocksKMFDM + I Ya Toyah Tickets
  • Winterthur, Switzerland · Gaswerk Tickets
  • Milano, Italy · Legend Club Tickets
  • Prague, Czechia · Lucerna Music Bar Tickets
  • Leipzig, Germany · Täubchenthal Tickets
  • Göteborg, Sweden · Pustervik Tickets

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Tour dates elsewhere: Bandsintown · Songkick

About

KMFDM (originally Kein Mehrheit Für Die Mitleid, wrong German that may be interpreted as "No Majority for the Compassion") is a multinational industrial rock band from Hamburg led by Sascha Konietzko, who founded the band in 1984 as a performance art project.

The band's earliest incarnation included German drummer En Esch and British vocalist Raymond Watts, with Watts leaving and rejoining the group several times over its history. The trio recorded the band's earliest albums in Germany before Konietzko and Esch moved to the United States, where they found much greater success with seminal industrial record label Wax Trax!. German guitarist Günter Schulz joined in 1990. Both he and Esch continued with the band until KMFDM broke up in 1999. In 2002, Konietzko resurrected KMFDM on Metropolis Records. Esch and Schulz declined to rejoin.

By 2005, Konietzko had assembled a consistent line-up that included American singer Lucia Cifarelli (whom he married), British guitarists Jules Hodgson and Steve White, and British drummer Andy Selway. In 2007, Konietzko and Cifarelli moved back to Germany, while the rest of the band stayed in the U.S. Hodgson and White moved on to other pursuits between 2015 and 2017, leaving the band a working trio unofficially. In addition to these core members, dozens of other musicians have worked with the group across its twenty-two studio albums and over two dozen singles, with sales totaling in excess of two million records worldwide.

Critics consider KMFDM one of the first bands to bring industrial music to mainstream audiences, though Konietzko refers to the band's music as "The Ultra-Heavy Beat". The band incorporates heavy metal guitar riffs, electronic music, samples, and both male and female vocals in its music, which encompasses a variety of styles including industrial metal and electronic body music. The band is fiercely political, with many of its lyrics taking stands against violence, war, and oppression. KMFDM normally tours at least once after every major release, and band members are known for their accessibility to and interaction with fans, both online and at concerts. Members, independently or working together and with other musicians, have recorded under many other names, primarily Watts' Pig, Konietzko's Excessive Force, and Esch and Schulz's Slick Idiot.

From Wikipedia, CC BY-SA 4.0.

Also in Français

KMFDM /kaːɛmɛfdeːɛm/ est un groupe allemand de metal industriel originaire de Hambourg. Dirigé par le multi-instrumentiste Sascha Konietzko, le groupe a été formé en 1984 en tant que projet de performance artistique. En 2016, KMFDM compte un total de dix-neuf albums studio, deux douzaines de singles, et plus de deux millions d'albums vendus aux États-Unis.

Le groupe subit de nombreux changements de personnel et a accueilli des dizaines de musiciens. Sa première formation comportait le batteur allemand En Esch et le chanteur britannique Raymond Watts ; ce dernier a quitté et réintégré le groupe à plusieurs reprises au cours de son histoire. Le guitariste Günter Schulz rejoint le groupe en 1990, jusqu'à la disparition du groupe en 1999. Konietzko ressuscite KMFDM en 2002 (Esch et Schulz ont refusé de rejoindre le groupe), et en 2005 forme un nouveau groupe incluant la chanteuse américaine Lucia Cifarelli, les guitaristes Jules Hodgson et Steve White et le batteur britannique Andy Selway.

KMFDM est considéré comme l'un des premiers groupes à faire connaître la musique industrielle à un public traditionnel, mais Konietzko préfère considérer leur musique comme «The Beat ultra-lourd». Alors que le groupe a toujours utilisé beaucoup de guitares, l'ajout de riffs de Schulz a déplacé le groupe vers un son plus metal industriel. Le groupe intègre des riffs de guitare lourds, de la musique électronique, des échantillons, et des voix souvent féminines dans sa musique.

Wikipedia, CC BY-SA 4.0

Discography

Albums

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EPs

Singles

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